Enlarge / Our two main heroes so far, Buck and Bucky. Or possibly Bucky and Buck. I forget which is which. (credit: Apple )

I'm writing this article under duress because it's not going to create anything new or try to make the world a better place—instead, I'm going to do the thing where a critic tears down the work of others rather than offering up their own creation to balance the scales. So here we go: I didn't like the first two episodes of Masters of the Air , and I don't think I'll be back for episode three.

The feeling that the show might not turn out to be what I was hoping for has been growing in my dark heart since catching the first trailer a month or so ago—it looked both distressingly digital and also maunderingly maudlin, with Austin Butler's color-graded babyface peering out through a hazy, desaturated cloud of cigarette smoke and 1940s World War II pilot tropes. Unfortunately, the show at release made me feel exactly how I feared it might—rather than recapturing the magic of Band of Brothers or the horror of The Pacific, Masters so far has the depth and maturity of a Call of Duty cutscene.

Does this man look old enough to be allowed to fly that plane? (credit: Apple)

World War Blech

After two episodes, I feel I've seen everything Masters has to offer: a dead-serious window into the world of B-17 Flying Fortress pilots, wholly lacking any irony or sense of self-awareness. There's no winking and nodding to the audience, no joking around, no historic interviews with salt-and-pepper veterans to humanize the cast. The only thing allowed here is wall-to-wall jingoistic patriotism—the kind where there's no room for anything except God, the United States of America, and bombing the crap out of the enemy. And pining wistfully for that special girl waiting at home.

Enlarge / Lee Pace as the latest incarnation of Brother Day, one of a trio of ruling Cleons in Apple TV's Foundation . (credit: Apple TV+)

We're now two episodes into the second season of Foundation , Apple TV's epic sci-fi series adapted— or remixed , per showrunner David Goyer—from the seminal series of stories by Isaac Asimov, and it's shaping up to be even better than its first. Goyer took great pains in S1 to carefully set up his expansive fictional world, and the scope has only broadened in the second season.

Goyer describes the new season as more emotional and romantic, with a bit more humor—or at least moments of levity—and faster paced now that the main characters and their key relationships have been well established. "Now it's a bit like jazz," he said. "We can riff on our creation and start to move the chess pieces around and create alliances or unusual pairings that didn't exist last season. Audiences have a certain expectation of how things are going to unfold, and part of the fun is subverting those expectations." The narrative is also more linear, with fewer time jumps forward and back—just the occasional traditional flashback.

(Major spoilers for S1 below. Some minor spoilers for S2 but no major reveals.)

Enlarge / Issei Tomine (Tomohisa Yamashita) and Camille Leger (Fleur Geffrier) must compete to be the sole heir of a globally renowned wine critic in the limited series Drops of God on Apple TV+. It's based on the hugely popular manga series of the same name.

The heady world of fine wine is often justly skewered as being hopelessly elitist and pretentious, where rare bottles sell for tens of thousands of dollars, their flavors and aromas described in florid, over-the-top language that readily lends itself to satire. (The sommelier in last year's delightful The Menu described a pinot noir as having "notes of longing and regret.")

That's the pop culture caricature, at least. If you yearn for something that brings this rarefied world firmly down to earth and celebrates wine's role in forging human bonds and shaping culture at large, I highly recommend Drops of God , a limited miniseries that debuted on Apple TV+ in April. It is based on the popular and influential manga of the same name . This is a series that sticks with you, its most memorable moments lingering in one's mind the way a good wine lingers on the palate.

(Some spoilers below but no major reveals.)

Last month we got our first glimpse of the second season of Foundation , the Apple TV+ series based on Isaac Asimov's hugely influential Foundation series of novels, via a brief teaser. Now Apple TV has dropped the full official trailer, and it looks like we're definitely in for an all-out war between the ruling Cleons and the titular Foundation.

(Some spoilers for S1 below.)

As previously reported , Asimov's fundamental narrative arc remains intact, with the series taking place across multiple planets over 1,000 years and featuring a huge cast of characters. The biggest change from the books is the replacement of the Empire's ruling committee with a trio of Eternal Emperor clones called the Cleons—a genetic dynasty. Brother Day (Lee Pace) is the primary ruler, with Brother Dusk (Terrence Mann) serving in an advisory/legacy role. Meanwhile, Brother Dawn (played as a child by Cooper Carter and as a teenager by Cassian Bilton) is being groomed to take over as the new Brother Day. Technically, they are all perfect incarnations of the same man, at different ages, and this is both the source of their strength as a team and of their conflicts.

It has been too long since we binged all 10 episodes of Apple TV's 2021 epic sci-fi series Foundation , loosely adapted from Isaac Asimov's hugely influential Foundation series of novels. We're finally getting a second season this summer, announced with the release of the first teaser.

(Some spoilers for S1 below.)

As I wrote in my review , Asimov's Foundation series is notoriously difficult to adapt to the screen. The author admitted that he wrote strictly for the printed page, and he always refused invitations to adapt his work for film or TV. But Asimov was more than happy to let others adapt his work to a new medium, and he was wise enough to expect that there would—and should—be significant departures from the print version. That's just what showrunner David S. Goyer ( Dark Knight trilogy, Da Vinci's Demons) set out to do with Foundation , describing it as more of a remix than a direct adaptation. Reviews of S1 were mixed, but I personally found the first season to be:

The fictional battle for the domination of space between the US and Russia shifts its focus from the Moon to Mars for the third season of For All Mankind . Ars staffers have dubbed this relatively underappreciated gem "Moon Show," and Apple TV+ has now released the official trailer for the show's third outing on the streaming platform.

(Some spoilers for the prior two seasons.)