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      Marvel Rivals : c’est quoi cet Overwatch rempli de super-héros ?

      news.movim.eu / JournalDuGeek · Yesterday - 15:01

    Marvel Rivals (1)

    Marvel annonce l'arrivée d'un nouveau jeu vidéo à la frontière entre Overwatch et les films Avengers.
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      Marvel 1943 : dans ce jeu, les héros s’invitent à Paris pour vaincre les nazis

      news.movim.eu / JournalDuGeek · Wednesday, 20 March - 18:07

    Marvel 1943 Rise Of Hydra Captain America Black Panther

    Quand Emily in Paris ne suffit plus, ce sont Captain America et Black Panther qui débarquent dans la capitale française.
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      Iron Man à la TV : découvrez l’histoire derrière cette réplique culte

      news.movim.eu / JournalDuGeek · Monday, 18 March - 19:02

    Iron Man Réplique Culte

    Il y a seize ans, Robert Downey Jr délivrait l'une des répliques les plus marquantes de sa carrière. Découvrez l'histoire qui se cache derrière ce mythique "Je suis Iron Man".
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      Avant la sortie X-Men ’97, le créateur Beau DeMayo disparaît des radars

      news.movim.eu / JournalDuGeek · Wednesday, 13 March - 15:28

    X Men 97 Disparaition Créateur

    C'est inhabituel, le créateur de la série animée X-Men 97 est licencié quelque temps avant la sortie de la première saison sur Disney+. Ces réseaux sociaux ont été fermés.
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      Spider-Man : le jeu multijoueur annulé par Insomniac fait surface (et il avait l’air prêt)

      news.movim.eu / JournalDuGeek · Tuesday, 12 March - 13:33

    Spider Man The Great Web Leak Multi

    Pensé comme une expérience live service dans l’univers Marvel d’Insomniac Spider-Man : The Great Web aurait pu être incroyable d’après ce trailer.
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      After the Madame Web disaster, where does Sony’s Spider-Verse go from here?

      news.movim.eu / TheGuardian · Monday, 11 March - 10:12

    Rather than concentrate on niche side stories, perhaps Marvel should start making films about the webslinger himself once more

    If there was a superhero with the power to make good comic book movies, one can imagine Sony would be all over trying to buy up the rights. Outside its splendid animated Spider-Man films and a team-up with Marvel on the recent trilogy of films starring Tom Holland’s masked webslinger, the studio has struggled. This is largely because it has inexplicably tried to manufacture interest in an assortment of superheroes and antiheroes who are part of Spidey’s world in the comics, but who the wider viewing public doesn’t know from Adam, the latest being Dakota Johnson’s Madame Web.

    The one-time Fifty Shades of Grey star has been in the news this week after she effectively torpedoed her own movie by telling Bustle it was not the film she had signed up for, and hinted it had in any case been pretty much made by committee.

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      Même Dakota Johnson n’est pas surprise par l’échec de Madame Web

      news.movim.eu / JournalDuGeek · Wednesday, 6 March - 12:23

    Madame Web Dakota Johnson Pas Surprise Par Les Critiques

    L'actrice n'a pas attendu très longtemps avant de se confier sur son expérience au sein de l'univers Spider-Man de Sony Pictures.
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      Roger Corman’s Fantastic Four movie is notoriously terrible – do we really want it resuscitated?

      news.movim.eu / TheGuardian · Friday, 1 March - 11:45 · 1 minute

    Calls are growing for the 1994 film to be freed from YouTube hell – but is it there because evil Hollywood execs tried to kill it, or is it just a really bad film?

    Why exactly are we so fascinated with bad movies? Perhaps it is simple schadenfreude, the delicious mental backwards engineering required to work out just exactly how somebody somewhere decided that the John Travolta-led, Scientology-infused Battlefield Earth, or Ed Wood’s frightful Glen or Glenda were anything approaching a good idea. It cannot be that we actually want to watch these things, for where is the thrill in experiencing completely inept film-making unless it really is about taking pleasure in other people’s creative failure?

    The situation becomes even more preposterous when we consider those movies that have always been so terrible that nobody should ever be able to witness them on the big or small screen. Jerry Lewis’s The Day the Crown Cried; the Leonardo DiCaprio and Tobey Maguire-led Don’s Plum. And then of course there is the Roger Corman-produced 1994 version of The Fantastic Four, a largely unseen comic book B-movie (Z-movie?) reputedly so awful that, according to Corman, Marvel Studio founder Avi Arad bought it from the rights owners to avoid the film cheapening his brand.

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