Keir Starmer will need to make it affordable to be an artist, because the value of art is beyond financial metrics
Nineteen years ago now, I was asked to perform my standup high in the Colorado Rockies at the Aspen comedy festival, a trade fair for the American comedy industry patronised by wealthy locals. In super-affluent Aspen, I discovered, to my horror, economically uncompetitive service industry workers were homed in special “employee housing projects”, like castrated catering cyborgs from a Russian science fiction novel, sleeping in pods, dreaming of electric sheep. But today that system seems benign compared with the housing poverty of Sunak island.
In Aspen, the famous comedians were domiciled in luxury hotels. I was in a cheap motel on the edge of town, where I breakfasted daily with a quartet of equally undervalued underground comic book writers, regarded as witless savants nonetheless capable of providing content by the predatory industry vampires.
Daniel Clowes
told me the contents of his Oscar ceremony goody bag – the film of his
Ghost World
comic was nominated – were worth more than everything he had earned as a writer to that point.
Stewart Lee’s
Basic Lee
is at Cambridge Arts theatre 15-16 April
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