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      Nvidia sued over AI training data as copyright clashes continue

      news.movim.eu / ArsTechnica · Monday, 11 March - 16:35

    Nvidia sued over AI training data as copyright clashes continue

    Enlarge (credit: Yurii Klymko | iStock / Getty Images Plus )

    Book authors are suing Nvidia, alleging that the chipmaker's AI platform NeMo—used to power customized chatbots—was trained on a controversial dataset that illegally copied and distributed their books without their consent.

    In a proposed class action , novelists Abdi Nazemian ( Like a Love Story ), Brian Keene ( Ghost Walk ), and Stewart O’Nan ( Last Night at the Lobster ) argued that Nvidia should pay damages and destroy all copies of the Books3 dataset used to power NeMo large language models (LLMs).

    The Books3 dataset, novelists argued, copied "all of Bibliotek," a shadow library of approximately 196,640 pirated books. Initially shared through the AI community Hugging Face, the Books3 dataset today "is defunct and no longer accessible due to reported copyright infringement," the Hugging Face website says.

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      Amazon refuses to pay screenwriter for the right to reboot Road House

      news.movim.eu / ArsTechnica · Wednesday, 28 February - 18:46

    Amazon refuses to pay screenwriter for the right to reboot Road House

    Enlarge (credit: Amazon Studios )

    The screenwriter who penned the original screenplay for the 1989 cult classic film Road House , R. Lance Hill, is suing Amazon over its remake due out this March.

    Hill, whose Hollywood pen name is David Lee Henry, has alleged that Amazon, MGM Studios, and United Artists (UA) failed to pay him licensing fees after the copyright to Road House was reverted back to Hill in November 2023. The studios, Hill claimed, have refused to recognize that Hill has recovered the copyright, instead moving forward with an allegedly "unauthorized remake."

    According to Hill, he transferred the copyright to UA in 1986 after writing the Road House screenplay "on spec"—which means "that he wrote it on his own volition, in the hope of finding an interested motion picture studio once the work was completed."

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      Why The New York Times might win its copyright lawsuit against OpenAI

      news.movim.eu / ArsTechnica · Tuesday, 20 February - 14:05

    Why The New York Times might win its copyright lawsuit against OpenAI

    Enlarge (credit: Aurich Lawson | Getty Images)

    The day after The New York Times sued OpenAI for copyright infringement, the author and systems architect Daniel Jeffries wrote an essay-length tweet arguing that the Times “has a near zero probability of winning” its lawsuit. As we write this, it has been retweeted 288 times and received 885,000 views.

    “Trying to get everyone to license training data is not going to work because that's not what copyright is about,” Jeffries wrote. “Copyright law is about preventing people from producing exact copies or near exact copies of content and posting it for commercial gain. Period. Anyone who tells you otherwise is lying or simply does not understand how copyright works.”

    This article is written by two authors. One of us is a journalist who has been on the copyright beat for nearly 20 years. The other is a law professor who has taught dozens of courses on IP and Internet law. We’re pretty sure we understand how copyright works. And we’re here to warn the AI community that it needs to take these lawsuits seriously.

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      Pirate Site Shut Down For Trademark, Cybersquatting & Copyright Violations

      news.movim.eu / TorrentFreak · Friday, 16 February - 15:39 · 3 minutes

    kokoatv Lawsuits filed in the United States targeting pirate sites usually focus on breaches of copyright law, typically direct and secondary infringement, or violations of the DMCA, depending on individual circumstances.

    Allegations of copyright infringement also featured in a complaint filed at an Arizona court in 2023, which hoped to quickly shut down a popular pirate site. Somewhat unusually, however, federal trademark infringement and cybersquatting allegations also played a key role, alongside other claims including unfair competition.

    Complaint Targets Kokoa TV

    Plaintiff Wavve Americas Inc. (wA) describes itself as a joint partnership between SK Telecom and the top three Korean Broadcast Networks –KBS, MBC, and SBS. According to the company’s website, wA’s mission is to use its open video streaming platform Kocowa ( Ko rean Co ntent Wa ve) to generate value for its content partners while providing an exceptional user experience.

    The company’s complaint filed last year targeted the unknown domain registrant of kokoatv.net, kokoa.tv, and vidground.com. All three domains were registered at Namecheap which requires registrants to consent to personal jurisdiction in Arizona when in dispute with a third party.

    The complaint alleged that Kokoa TV provided access to Korean-based TV shows and movies, including those exclusively licensed to wA for distribution in the United States. The site targeted both Korean and English-speaking audiences, the complaint added, with video content sourced from platforms including vidground.com.

    Trading Off Kocowa’s Goodwill (and its content)

    Kokoa TV’s choice of branding was called out for its similarity to the plaintiffs’ service Kocowa, for which they hold a trademark. The aim, the complaint added, was to trade off the goodwill of Kocowa while cybersquatting a deliberately similar domain, to confuse users into believing that the defendant’s platform had links to the official service.

    Once presented with official content without having to pay for any of it, users of the unlicensed service Kokoa would be deterred from using the official platform offered by the plaintiffs, the complaint added.

    Kocowa holds an exclusive license to distribute around 1,100 shows in the United States, content created by the three major Korean networks. The sites operated by the defendant offered that content for free, leading to allegations of copyright infringement and contributory copyright infringement.

    All three domains had their ownership hidden by a WHOIS protection service so when Namecheap refused to disable the domains or hand over the identity of the domains’ operator, Wavve Americas Inc. filed its complaint.

    The company demanded a permanent injunction, an award sufficient to cover the costs of corrective advertising, an award of Kokoa’s profits, the transfer of its domain names, damages for both trademark and copyright infringement, plus attorneys’ fees and costs.

    Plaintiff Prevails

    Discovery directed at Namecheap revealed the same name behind all three domains – Tumi Max of Bangkok, Thailand – who was named in the plaintiff’s first amended complaint. The defendant was served September 22, 2023, but after failing to appear, the court’s entry of default was followed by a motion for default judgment.

    Judge Michael T. Liburdi handed down his order on February 6, 2024. Since the defendant had accepted Namecheap’s terms and conditions, the Judge found that personal jurisdiction had been established. Since the websites were accessible in the district and likely to cause confusion there, venue was considered proper.

    Since Tubi Max decided not to appear, he failed to produce rebuttal evidence related to the distribution of the plaintiff’s content. While the Judge found Kocowa a “conceptually strong mark” he noted that the complaint failed to demonstrate it was a “commercially strong” mark. However, after weighing several factors including the defendants’ absence, the broadcasters prevailed on their trademark, cybersquatting, and copyright infringement claims.

    A permanent injunction followed soon after, comprehensively restraining Tubi Max from unlawful use of the plaintiff’s trademarks (image below) and any unlicensed use of its copyrighted works. It appears that the focus of the complaint was to shut the site down since the injunction notes that “wA does not seek monetary damages.”

    As the above shows, Namecheap was instructed to hand over the domains to prevent any further infringement of the plaintiff’s rights. Visitors to those domains today will find themselves redirected to the plaintiff’s streaming platform where they will be able to compensate the rightful owners when consuming their copyrighted content.

    In theory, at least.

    The complaint and other filings cited above are available here

    From: TF , for the latest news on copyright battles, piracy and more.

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      US says AI models can’t hold patents

      news.movim.eu / ArsTechnica · Wednesday, 14 February - 20:41

    An illustrated concept of a digital brain, crossed out.

    Enlarge

    On Tuesday, the United States Patent and Trademark Office (USPTO) published guidance on inventorship for AI-assisted inventions, clarifying that while AI systems can play a role in the creative process, only natural persons (human beings) who make significant contributions to the conception of an invention can be named as inventors. It also rules out using AI models to churn out patent ideas without significant human input.

    The USPTO says this position is supported by "the statutes, court decisions, and numerous policy considerations," including the Executive Order on AI issued by President Biden. We've previously covered attempts, which have been repeatedly rejected by US courts , by Dr. Stephen Thaler to have an AI program called "DABUS" named as the inventor on a US patent (a process begun in 2019).

    This guidance follows themes previously set by the US Copyright Office (and agreed upon by a judge ) that an AI model cannot own a copyright for a piece of media and that substantial human contributions are required for copyright protection.

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      Court Slams Brakes on DMCA Subpoena Use to Expose Alleged Movie Pirates

      news.movim.eu / TorrentFreak · Thursday, 1 February - 19:12 · 5 minutes

    privacy Two decades ago, when the RIAA tried to obtain the identities of Verizon customers via the convenient DMCA subpoena process, significant pushback led to defeat for the record labels .

    The case made it clear that subpoenas obtained under section 512(h) of the DMCA only apply to ISPs that directly store, cache, or provide links to infringing material. An RIAA lawsuit against Charter failed for similar reasons .

    In 2014 and after a considerable break, BMG and anti-piracy partner Rightscorp attempted to unmask 30,000 CBeyond subscribers using the same DMCA subpoena process. That also ended in disappointment but somehow, seven years later on the same legal basis, DMCA subpoena applications suddenly began producing results.

    Cautiously Building Momentum

    After testing the water in 2019, during 2022 and early 2023, companies including Voltage Pictures, Millennium Funding, and Capstone Studios obtained DMCA subpoenas targeting customers of CenturyLink (now Lumen). After a relatively gentle request to obtain the identities of 13 subscribers , subsequent demands turned up the heat.

    An additional DMCA subpoena later sought to unmask almost four times more subscribers than the preceding one, before a follow-up application took the previous target of 63, doubled it, and added another couple of dozen subscribers on top for good measure.

    After focusing on CenturyLink subscribers for more than a year, Voltage, Millennium, and Capstone obtained a DMCA subpoena targeting 41 IP addresses operated by ISP Cox Communications. Most of the IP addresses were allegedly linked to piracy of the movie ‘Fall,’ with infringements reportedly carried out by Cox subscribers using BitTorrent networks.

    The DMCA subpoena application itself was somewhat unusual. Explanatory text recognized that under conventional thinking, § 512(h) doesn’t usually apply to conduit ISPs. However, it suggested that legal developments over the past few years supported a theory that the Tenth Circuit would eventually come to see § 512(h) in a whole new light; specifically, that it does apply to conduit ISPs after all.

    DMCA Subpoena Immediately Challenged

    When the DMCA subpoena was served on Cox Communications, the ISP contacted the relevant subscribers to determine whether any would object to having their identities disclosed. One subscriber took the opportunity to send a letter of objection to the court, which now forms part of the public record.

    The letter doesn’t identify the ‘John Doe’ subscriber or their family, but since it contains sensitive personal information in the first couple of paragraphs, only the last three paragraphs are reproduced here.

    The letter was construed by the court as a motion to quash, with a recommendation that the subpoena was invalid under § 512(h). A subsequent report issued by Magistrate Judge Wes Reber Porter later arrived at the same conclusion. It further noted that, to the extent any information had been derived from the invalid subpoena, it must be returned or destroyed while no further information should be obtained or placed on record.

    A DMCA Subpoena Cannot Apply Here

    In his order handed down this week, District Judge J. Michael Seabright provides an exceptionally clear overview of the four types of safe harbor available to ISPs under the DMCA. In doing so, the Judge also shows why the movie companies’ DMCA subpoena fails.

    The breakdown seems to show why DMCA subpoenas issued under § 512(h) cannot be used to obtain the identities of P2P infringers when their ISP qualifies for protection under § 512(a). (For reference, the DMCA’s safe harbor provisions are detailed in full here )

    The key points of the order read as follows (minor edits for brevity) :

    – The safe harbor in § 512(a) protects ISPs from liability for ‘transmitting, routing, or providing connections for’ material through a system or network.

    – The safe harbors in § 512(b), (c), and (d) protect ISPs from liability for infringing material that users temporarily store in caches (§ 512(b)), on systems or networks (§ 512(c)), or at links (§ 512(d)) provided by the ISP.

    – The safe harbor in § 512(a) does not require ISPs to take down material upon receiving notice from a copyright owner — if an ISP is a “mere conduit,” nothing is stored, and there is nothing to take down.

    – Conversely, though their wording differs, each of the safe harbors in § 512(b), (c), and (d) requires that, when notified of alleged infringement by a copyright owner, an ISP “respond[] expeditiously to remove, or disable access to, the material that is claimed to be infringing upon notification of claimed infringement (notice and takedown)

    – In contrast, the “mere conduit” safe harbor in § 512(a) does not contain any notice and take down provision referring to Subsection (c)(3)(A)—because there is no material to take down.

    – In considering whether a copyright owner can obtain the IP addresses of P2P infringers by subpoenaing an ISP under § 512(h), the Eighth Circuit [Verizon] and D.C. Circuit [Charter] both reasoned that if the ISP acts as a “mere conduit” in cases of P2P filesharing, it is not possible for a copyright owner to satisfy the notice requirement in Subsection (c)(3)(A).

    – On this basis, both courts ruled that the ISP fell within the safe harbor in § 512(a) and the subpoenas over P2P filesharing were improper. [..] In short, a § 512(h) subpoena cannot issue if the ISP is unable to locate and remove the infringing material, and an ISP acting as a mere conduit for allegedly infringing activity cannot do so. This court agrees with the reasoning of the Eighth and D.C. Circuits.

    Movie Companies’ Objections

    Despite being rejected by the Court, the main objections filed by the movie companies still make for interesting reading.

    When applying for the DMCA subpoena, the movie companies submitted a list of IP addresses that allegedly participated in the infringing activity. The aim here was to demonstrate compliance under § 512(h) by providing a notification of claimed infringement that identified the allegedly infringing material/activity, along with sufficient information for the ISP to locate it.

    The companies reasoned that in assigning IP addresses to the alleged infringers, Cox was “referring or linking material” under § 512(d), making their list of IP addresses a valid notice of infringement.

    The movie companies also objected to a statement in the Magistrate Judge’s report, which concluded that Cox acted as a “mere conduit” in the transfer of files through its network. After arguing that they should have had the ability to submit a briefing on the issue of statutory interpretation, the Judge ordered Cox to file a declaration on its status as a service provider.

    Cox responded with a declaration which confirmed that it operates as an ISP under 17 U.S.C. § 512(a). The movie companies objected to that too, but without the desired result.

    The full order is linked below for those interested in the finer details. Needless to say, none of the arguments were able to prevent the DMCA subpoena from being ruled invalid, on exactly the same basis the RIAA’s attempts were rejected over 20 years ago.

    District Judge J. Michael Seabright’s order is available here (pdf)

    From: TF , for the latest news on copyright battles, piracy and more.

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      Copyright Parody Exception Denied Due to Defendant’s Discriminatory Use

      news.movim.eu / TorrentFreak · Wednesday, 17 January - 18:31 · 3 minutes

    law-hammer Campbell v. Acuff-Rose Music, Inc. is one of the most interesting cases in history to rely on a fair use defense, arguing that the alleged infringement qualifies as a parody.

    Acuff-Rose sued members of hip hop group 2 Live Crew, claiming that their track “Pretty Woman” infringed the label’s copyright in the Roy Orbison song, “Oh, Pretty Woman.” 2 Live Crew had previously sought to license the track from Acuff-Rose to be used as a parody; Acuff-Rose refused and 2 Live Crew used it anyway.

    The case went all the way to the Supreme Court where 2 Live Crew prevailed; their parody was ruled fair use, despite being a commercial product. Still, some believed 2 Live Crew’s music shouldn’t have been on sale at all. Three members were previously arrested for alleged obscenity violations but were eventually acquitted after the men received support from freedom of speech activists.

    Free Speech Has Limits

    A criminal copyright infringement trial that concluded in Finland this week also saw the defendant rely on a fair use-style parody defense. It involved the use of copyrighted content to create an alleged ‘parody’ (one that many people would find offensive), the distribution of that content to the public via Twitter, and a defendant claiming immunity under copyright law. Not that other routes hadn’t already been tested, however.

    Former Oulu city councilor Junes Lokka and controversy are rarely far apart. He regularly voices his opinions on ethnic minorities, including what they represent, and what should be done with them. In 2022, Lokka faced Finland’s Supreme Court over videos of a 2016 protest published to his YouTube channel, to which Lokka added subtitles in various languages.

    While the words in those videos were not Lokka’s, his claim to be acting as a journalist when he added subtitles was rejected by the court. Upholding the decision of a lower court the Supreme Court concluded that, since the videos contained hate speech and Lokka was responsible for them appearing on his YouTube channel, his conviction for incitement to ethnic hatred must stand.

    Subtitle Defense 2.0: The Parody

    In the spring of 2020, as the enormity of the coronavirus pandemic was beginning to take hold, Finland’s national public broadcaster Yleisradio Oy (Finnish Broadcasting Company) aired a news broadcast in Somali. Without obtaining permission, Lokka made a copy of the report, added his own subtitles, and then retransmitted the new version to the public via Twitter.

    In the opinion of Yleisradio, the subtitles added by Lokka were both racist and degrading. When he copied and then rebroadcast the news report, that was copyright infringement.

    Lokka claimed there was no requirement to obtain permission from Yleisradio. New law that came into force in April 2023 allows the free use of copyright works for parody, pastiche, and caricature.

    Lokka chose parody but under the circumstances, that underperformed.

    Parody Under Copyright Law

    Yleisradio was represented by the Copyright Information and Control Center (TTVK) and as the Finnish anti-piracy group revealed this week, the nature of the subtitles added to the news report proved fatal to Lokka’s defense.

    “[Th]e court determined that this could not be considered a parody as referenced in Section 23a of the Copyright Act, but a prohibited modification of the work,” TTVK explains.

    “The use of the recording in the manner outlined in the case was not justified under copyright exceptions. The court considered that the edited video contained a discriminatory message, and in its reasoning referred to the interpretation guidelines provided by the Court of Justice of the European Union.”

    Freedom of Speech vs. Prohibiting Discrimination

    Those guidelines reference a legal opinion in C-201/13 – Deckmyn and Vrijheidsfonds VZW v Vandersteen and Others which found that in order for a derivative work to be considered a parody, certain conditions must be met ( pdf ) .

    In the Finnish matter, compatibility with the European Convention on Human Rights, which upholds freedom of expression but prohibits discrimination on grounds of race or religion, proved crucial.

    “Accordingly, an act containing a discriminatory message cannot be considered a permitted parody,” TTVK reports.

    With parody status unavailable, the content posted to Twitter was confirmed as an unauthorized derivative work, distributed by Lokka, in breach of copyright.

    “The court found the defendant guilty of a copyright crime and sentenced him to a fine,” TTVK reports .

    “The court sentenced him to pay EUR 640 in compensation for the use of the work in accordance with the Copyright Act, and EUR 2,260 in compensation. In addition, the court prohibited the person from continuing or repeating the act.”

    Comments posted to Lokka’s X/Twitter account suggest that to the extent any deterrent effect was intended, it may be quite limited.

    From: TF , for the latest news on copyright battles, piracy and more.

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      AI firms’ pledges to defend customers from IP issues have real limits

      news.movim.eu / ArsTechnica · Monday, 8 January - 15:05

    The Big Tech groups are competing to offer new services such as virtual assistants and chatbots as part of a multibillion-dollar bet on generative AI

    Enlarge / The Big Tech groups are competing to offer new services such as virtual assistants and chatbots as part of a multibillion-dollar bet on generative AI (credit: FT)

    The world’s biggest cloud computing companies that have pushed new artificial intelligence tools to their business customers are offering only limited protections against potential copyright lawsuits over the technology.

    Amazon, Microsoft and Google are competing to offer new services such as virtual assistants and chatbots as part of a multibillion-dollar bet on generative AI—systems that can spew out humanlike text, images and code in seconds.

    AI models are “trained” on data, such as photographs and text found on the internet. This has led to concern that rights holders, from media companies to image libraries, will make legal claims against third parties who use the AI tools trained on their copyrighted data.

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      NY Times copyright suit wants OpenAI to delete all GPT instances

      news.movim.eu / ArsTechnica · Wednesday, 27 December - 19:05 · 1 minute

    Image of a CPU on a motherboard with

    Enlarge / Microsoft is named in the suit for allegedly building the system that allowed GPT derivatives to be trained using infringing material. (credit: Just_Super )

    In August, word leaked out that The New York Times was considering joining the growing legion of creators that are suing AI companies for misappropriating their content. The Times had reportedly been negotiating with OpenAI regarding the potential to license its material, but those talks had not gone smoothly. So, eight months after the company was reportedly considering suing, the suit has now been filed .

    The Times is targeting various companies under the OpenAI umbrella, as well as Microsoft, an OpenAI partner that both uses it to power its Copilot service and helped provide the infrastructure for training the GPT Large Language Model. But the suit goes well beyond the use of copyrighted material in training, alleging that OpenAI-powered software will happily circumvent the Times' paywall and ascribe hallucinated misinformation to the Times.

    Journalism is expensive

    The suit notes that The Times maintains a large staff that allows it to do things like dedicate reporters to a huge range of beats and engage in important investigative journalism, among other things. Because of those investments, the newspaper is often considered an authoritative source on many matters.

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