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      Après les mangas, Crunchyroll lance son catalogue de jeux vidéo

      news.movim.eu / JournalDuGeek · Wednesday, 8 November, 2023 - 09:30

    River City Girls

    La plateforme de SVOD dédiée aux mangas vient d'officialiser le lancement de son catalogue de jeux vidéo.

    Après les mangas, Crunchyroll lance son catalogue de jeux vidéo

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      Netflix agrandi sa collection d’animes avec ce classique incontournable

      news.movim.eu / JournalDuGeek · Tuesday, 24 October, 2023 - 07:00


    La plateforme au N rouge est rapidement devenue une référence en matière de japanimation

    Netflix agrandi sa collection d’animes avec ce classique incontournable

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      Kaiju No. 8 : l’anime trouve sa date de sortie et son diffuseur

      news.movim.eu / JournalDuGeek · Tuesday, 17 October, 2023 - 11:00


    L'adaptation du manga culte de Naoya Matsumoto s'annonce comme l'événement japanimation à ne pas manquer en 2024.

    Kaiju No. 8 : l’anime trouve sa date de sortie et son diffuseur

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      Russia’s Manga Pirates Face Publisher’s Lawsuit & Increasing State Censorship

      news.movim.eu / TorrentFreak · Tuesday, 26 September, 2023 - 19:58 · 4 minutes

    remanga Signed by some of Russia’s most powerful tech and entertainment companies in 2018, a Memorandum of Cooperation saw the creation of a centralized database of pirated content.

    Internet companies agreed to query the database every few minutes and then remove corresponding content from their indexes. Those who benefited from the system declared it a success but not all types of content enjoyed protection. Book publishers and music companies were excluded from the memorandum and despite repeated calls for equivalent protection, they were left outside in the cold.

    Early this month, Vadim Subbotin, Deputy Head of telecoms regulator Roskomnadzor, announced that book publishers and music companies will be able to participate moving forward. Subbotin claims it currently takes between 15 and 20 minutes to remove a pirate link from search results and, thus far, over 100 million have been deleted following rightsholders’ complaints.

    Steep Rise in Manga Consumption

    Since Russia’s invasion of Ukraine in February 2022, discussion of copyright protection in Russia has trended towards the chaotic. With Hollywood and other major rightsholders still not releasing entertainment products in the region, enforcement measures appear to have taken a back seat. There are some outliers, however.

    With Russians reportedly losing interest in comics produced by U.S. companies such as Marvel, appetite for Asian comics produced by companies in Japan, South Korea and China is reportedly on a steep upward trend. According to Yandex.market, consumption is up 20% in annual terms so for South Korean manga producers, that’s an opportunity to develop business in Russia, minus competition from pirates.

    Manga Companies Target Pirate Manga Sites

    Manga platform My Comics was launched in November 2022 by South Korean company MStoryLink. A Kommersant report published Monday reveals that with support from the state-controlled South Korean Creative Content Agency (KOCCA), My Comics is preparing to sue ReManga, a large manga piracy site focused on the Russian market.

    KOCCA’s Russia representative, Kim Si-Woo, says that My Comics sent letters to several platforms last year which demanded the removal of unlicensed comics, but the outreach was only partially effective.

    “Most have removed them, but ReManga is still ignoring the letter, undermining the activities of Moi Comics in Russia,” Kim Si-Woo says.

    On one hand, KOCCA admits that “piracy is a natural step in the formation of a market.” On the other, it says that without intellectual property protection and enforcement, development of the South Korean creative industries won’t be possible in Russia. Unfortunately, if those creative industries get a little too creative, development might be curtailed by Russia itself.

    Manga Sites Face Two Attack Vectors

    ReManga is one of the most popular pirate manga sites focused on Russia. It currently enjoys around 17.8 million visits per month according to SimilarWeb data, with 71% of its traffic coming from inside Russia.

    The platform has appeared on Russia’s ‘register of prohibited information’ three times previously, with the most recent entry dating back to 2021 attributed to telecoms watchdog Roscomnadzor. While that was probably due to an infringement of intellectual property rights, two other entries in the same year are attributed to Rospotrebnadzor, the Federal Service for Surveillance on Consumer Rights Protection and Human Wellbeing.

    The exact reasons for these entries are unclear, but there’s no doubt that recent legal amendments present obvious risks for both pirate sites and their legal counterparts, My Comics included.

    Manga Content Meets Legal Restrictions

    In December 2022, Vladimir Putin signed a new law which among other things bans “LGBT propaganda.” Manga site Yaoilib.me was one of the early casualties and its permanent blocking is detailed on RuBlacklist , a portal maintained by digital rights group Roskomsvoboda .

    The site was blocked by Rosmolodezh, Russia’s Federal Agency for Youth Affairs, for spreading “propaganda of non-traditional sexual relations.” It wouldn’t be the last manga site to suffer that fate. In March, Mangapoisk.ru was permanently blocked and two months later, Mangapoisk.com was added to the list. On September 21, Mangapoisk.org appeared six times on the ‘prohibited information’ list and is now blocked.

    Other manga sites blocked in Russia this month include MangaHub (3.6m visits per month) and MintManga (11m), but falling foul of Russian legislation isn’t a pirate site exclusive.

    Russian anime encyclopedia ‘Shikimori’ was blocked on September 21 . Platforms like these enable anime fans to learn more about the genre which in turn informs upcoming purchases. If these kinds of resources can be disappeared overnight, market growth may face sudden challenges in Russia. After receiving a fine for listing films containing ‘LGBT people’ without displaying adult age restrictions, even Yandex can face punishment.

    My Comics and KOCCA seem prepared to overlook this threat, even though it’s directly related to discrimination against minorities. Russia’s actions in Ukraine and elsewhere also seem to be of limited concern , so for now at least, selling comics takes priority.

    From: TF , for the latest news on copyright battles, piracy and more.

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      Romi’s Revenge: Notorious Manga Pirate Launches Explosive Book, Demands Retrial

      news.movim.eu / TorrentFreak · Monday, 25 September, 2023 - 18:24 · 5 minutes

    Romi Hoshino While some pirate sites will obviously slip through the cracks, the overwhelming majority of piracy platforms that exist today are already known to the rightsholders they affect.

    Actions taken against specific pirate platforms are shaped by policy, resources, and other practicalities, meaning that less significant sites may face no immediate threat. Others aren’t so lucky.

    In Mangamura’s case, a site founded in 2016 targeting the Japanese market became extraordinarily successful in a very short space of time. That it did so by exploiting culturally-valuable manga content, in the backyard of the world’s largest manga publishers, pushed Mangamura to the top of the enforcement list.

    Mangamura mysteriously shut itself down in April 2018 but after just two years online, the site had reportedly caused $2.91 billion in losses to publishers. A criminal investigation into Mangamura’s activities eventually led to the arrest of the site’s operator, Romi Hoshino, in Manilla.

    Hoshino was later deported to Japan and arrested by the authorities. A guilty verdict in a subsequent criminal trial saw Hoshino sentenced to three years behind bars .

    Publishers and Hoshino Have Unfinished Business

    Released from prison last year, the 31-year-old is now facing a civil lawsuit for damages filed by several Japan-based manga publishers. They were at court in the U.S. recently seeking Mangamura traffic data held by Google and Cloudflare. While that information could be useful for progressing their civil lawsuit, it appears that over the next 48 hours, things will become rather more complicated.

    On September 26, Hoshino will launch his new book, The Truth About Mangamura . The author says it will reveal how a “shut-in NEET” (Not in Education, Employment, or Training) somehow created a hugely successful website only to become an internationally wanted man.

    One of the book’s promotional images shows Hoshino’s progression through life from childhood to arrest, including the now-infamous mugshot that appeared in media all around the world.

    The book’s promotional material suggests that Hoshino’s technological successes may be presented alongside allegations of “digital defeat” in Japan, such as poor growth in IT and the failure of law to keep up with reality. It also promises to expose “behind-the-scenes judicial deals, fake trials, show punishments, and copyright issues.”

    This is a “controversial book that indicts Japan’s judicial problems!” the description on Amazon reads.

    Hoshino Will File an Application for Retrial

    Whether Japan’s judicial system has any appetite or ability to revisit Mangamura-related problems is unclear, but this week Hoshino will attempt to find out. On Wednesday he is expected to file an application for a full retrial at the Fukuoka District Court, a rare moment for a case that ran its course without any appeal, by a defendant who has completed his sentence.

    According to a report in Asahi , Hoshino was prohibited from using a computer in detention so was unable to collect any evidence to prove his innocence. While denying a prisoner access to the internet is hardly uncommon, Hoshino’s allegations make for interesting reading.

    In very broad terms, the criminal case found that Hoshino was liable for uploaded copies of popular manga titles ‘Kingdom’ and ‘One Piece’ that were made available to the public via Mangamura. Hoshino doesn’t deny the manga titles were made available; he’s contesting the mechanism by which that took place.

    Hoshino Claims He’s Innocent

    From the limited details available, Hoshino appears to be arguing that the manga titles were uploaded to another site, not on Mangamura. He claims that a reverse proxy enabled the content on third-party sites to appear as if it was displayed on Mangamura, without any of the images actually being stored locally.

    On the one hand, these claims could be dismissed as semantics intended to distract from a clear intent to profit from piracy. On the other, Hoshino may have some type of case, at least in theory.

    In English-speaking countries, sites that utilize content hosted elsewhere through the provision of links to external platforms are often described as ‘indexing’ sites. They act as an index to content found elsewhere but host none of their own. In Japan, the terms ‘leech’ or ‘reach’ are used to describe the same type of site and at least functionally, they provide illegal access to copyrighted material just like any other.

    However, operators of leech or reach sites were only rendered criminally liable by legal amendments that came into force on October 1, 2020. On that day, indexing site operators or those publishing apps with the same function faced the same punishments as their directly-infringing counterparts for the first time. Mangamura had been offline for two-and-a-half years at this point.

    Reverse Proxy Defense Detailed in Original Judgment

    The judgment handed down by the Fukuoka District Court in 2021 covers submissions by the prosecution and defense relating to the two manga works Hoshino alleges were made available via reverse proxy.

    The judgment substitutes the names of defendants and or witnesses, plaintiffs, site names and third-party platforms with letters. The ‘defendant’ is Hoshino and A, B and C refer to individuals who uploaded content to servers that was later consumed by users of ‘G’, aka Mangamura. ‘P’ appears to be a reference to Cloudflare.

    The judgment notes that Hoshino set Mangamura’s server “not to cache data, and on that basis, the manga and other image data posted on G by way of reverse proxy would exist on the recording device of the third-party server and not be stored on the recording device of G’s server.”

    The judgment further notes that, “for a certain period of time, the defendant used a CDN server provided by P located in the U.S. as a reverse proxy between G’s server and the viewers, so that when ordinary users viewed G’s manga, they accessed the CDN server, not G’s server.”

    The judgment also reveals statements by one or more of the uploaders (A,B,C) who recalled certain facts about the two works in question sufficient for the court to conclude the works were uploaded by them.

    The judgment further notes “that the reverse proxy setting by the defendant constitutes an infringement of the right of public transmission under Article 23 (1) of the Copyright Act, as it makes a work available for transmission.”

    Hoshino recently answered questions during a press conference, the video is embedded below. The original judgment handed down by the Fukuoka District Court can be found here ( pdf )

    Amazon’s listing for Hoshino’s new book, out tomorrow, can be found here .

    From: TF , for the latest news on copyright battles, piracy and more.

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      Google & Cloudflare Must Share Traffic Stats in Manga Piracy Case

      news.movim.eu / TorrentFreak · Friday, 22 September, 2023 - 09:14 · 3 minutes

    manga Manga comics have always been popular on pirate sites but where other categories have seen stalled growth, manga piracy boomed .

    This unauthorized activity has not gone unnoticed by publishers, who’ve made it clear that piracy will not be tolerated, especially in Japan.

    Publishers are tackling the problem by ramping up enforcement. This recently led to a major success when a Cloudflare probe helped to shut down 13DL , Japan’s largest pirate site.

    Mangamura Shutdown

    These enforcement efforts are intensifying but they are not new. Back in 2019, Japanese authorities arrested the operator of Mangamura, the leading manga piracy site at the time.

    Mangamura had only been around for roughly two years but according to Japan-based anti-piracy group CODA, it caused well over $2 billion in damages to the local manga industry. The operator of the site, Romi Hoshino, was held responsible and eventually pleaded guilty in a criminal prosecution.

    In 2021 the Fukuoka District Court sentenced Hoshino to three years in prison and over $650,000 in fines. That was a major win for the publishers, but they still weren’t done.

    Publishers Want Millions

    Last year, manga publishers Kodakawa, Shogakukan, and Shueisha filed a civil lawsuit against the former operator of Mangamura. Together, the companies requested 1.9 billion yen in damages. That’s close to US$13 million based on today’s exchange rate, without taking into account the 5% interest rate on top.

    According to the complaint, Mangamura had around 100 million monthly visits at its peak. This arguably made it one of the largest pirate sites in history with Hoshino, who is now in his early thirties, as the main defendant.

    To back up these claims and formulate a claim for damages, the publishers started to verify the site’s traffic statistics. They also hoped to find more evidence of Hoshino’s personal involvement. This quest eventually brought them to the U.S., as Mangamura used the services of both Google and Cloudflare.

    Help from Google and Cloudflare

    A few weeks ago the rightsholders made an appearance at a California federal court where they requested a subpoena to obtain detailed information from these two American tech companies. According to the court filing, the requested details are critical.

    “[T]he number of visits or accesses to each of the Infringing Websites and the identifying information relating to the Mangamura would be critical in the Lawsuit,” the publishers wrote, adding that Google and Cloudflare are the only parties that can provide access to it.

    The request landed on the desk of U.S. Magistrate Judge Sallie Kim who, after reviewing all the arguments, recommended the court grant the subpoena. Neither Google nor Cloudflare objected or made an appearance.

    In a report and recommendations, Judge Kim concludes that all statutory and discretionary factors weigh in favor of granting the subpoena. The requested information is targeted enough and appears to be vital to the ongoing legal battle in Japan.

    “[D]iscovery sought does not appear unduly burdensome or intrusive. Petitioners’ request is narrowly tailored to seek the website analytics necessary to calculate damages in their suit and identifying information solely for the registered account holder and registered billing contact for Mangamura,” Judge Kim wrote.

    A few days ago, District Court Judge Vince Chhabria took over this recommendation, granting the subpoena.

    Analytics, IP-addresses, and More

    The subpoenas seek information about accounts related to “manga-mura.net” and “mangamura.org”. This includes traffic statistics, including the number of visitors these domains received.


    In addition, the Manga publishers are also looking for all names, phone numbers, email addresses and billing addresses, payment methods, IP addresses, and access logs that are tied to the accounts.

    more info


    Whether Google and Cloudflare can deliver the requested information has yet to be seen. In any case, the publishers are determined to hold the operator of the defunct site financially responsible for the damages they suffered.

    The Japanese complaint mentions that Hoshino likely had help from co-conspirators but no other names are listed. The Tokyo District Court did previously fine two advertising companies for placing ads on Mangamura. Neither of these companies are listed in the publishers’ civil lawsuit.

    Despite the fact that there’s only a single target in the Japanese lawsuit, the publishers hope that their legal action will eventually make other pirate site operators rethink their actions.

    “We hope that the lawsuit will be conveyed to operators around the world and will deter them [from pirating],” Shueisha’s head of PR, Atsushi Ito, previously said .

    A copy of U.S. Magistrate Judge Sallie Kim’s report and recommendations in available here (pdf) , and the order granting the subpoenas can be found here (pdf)

    From: TF , for the latest news on copyright battles, piracy and more.

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      One Piece : les 15 différences majeures entre la série Netflix et le manga

      news.movim.eu / JournalDuGeek · Friday, 8 September, 2023 - 17:00


    Pour briller en tant que série, l'adaptation de One Piece a du chambouler le scénario original pour le meilleur comme pour le pire.

    One Piece : les 15 différences majeures entre la série Netflix et le manga

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      Zoro.to: World’s Largest Pirate Site Suddenly “Acquired” & Rebranded

      news.movim.eu / TorrentFreak · Tuesday, 4 July, 2023 - 11:20 · 4 minutes

    zoro-to-s1 Here’s a curious conundrum: given its extraordinary traffic and likely position as the world’s largest pirate site, why does Zoro.to feature so rarely in rightsholders’ public complaints over piracy?

    One explanation could be the site’s age; at just over two years old, it’s possible that established sites are considered more of a priority.

    Another factor could be that Zoro.to focuses on Japanese anime rather than mainstream Hollywood movies. But with over 205 million visits per month, all mainstream movie piracy sites are left behind in a cloud of dust double their size.

    Zoro.to – Gone for good…. zoro-to-bleach-s

    Based on average traffic levels reported by SimilarWeb, Zoro.to should receive over six million visits today alone. Those visitors are in for a surprise because starting a few hours ago, Zoro.to unexpectedly ceased to exist.

    Zoro.to is Dead, Aniwatch.to Takes Over

    Visitors to the Zoro.to domain are currently redirected to a new one; Aniwatch.to. The transition is seamless via a redirect, but the culture shock shouldn’t be too great for former Zoro.to users. Old logins appear to work on the new domain and apart from a new color scheme, the design is very familiar indeed.

    Aniwatch.to is the new Zoro.to aniwatch-to-black -s

    User reactions to the sudden change range from “nooooo what did they do to my boy zoro” to “WHAT THE **** IS ANIWATCH????” The most predictable center around a common theme: “why zoro turn into aniwatch?”

    As questions go, that’s a good one.

    Zoro.to Was “Acquired” By a New Dev Team

    Pirate sites are known for moving to new domains. Domain seizures or suspensions can often play a part in sudden changes, but domain jumping has served two additional purposes more recently. Anti-piracy groups have spoken of the difficulties domain jumping can cause during investigations, but the second relates to search engine visibility.

    Receiving too many DMCA notices can cause Google to derank sites from search results, but in this case it appears that the Zoro.to domain hasn’t yet reached the threshold. At the time of writing, Google reports the removal of around 43,700 URLs and it’s rumored that 50,000 may be the limit. A new domain may have been required shortly anyway but the reasons for today’s switch are reportedly different.

    In response to some Zoro.to users having a meltdown over the domain and palette changes, a staff member explained that there is no need to panic over a management issue.

    “Everyone calm down, Zoro is acquired by a new dev team, they will now handle the whole website and social network accounts. Do not worry, all the data will remain the same, the old staff will keep supporting the server. Thank you,” the message reads.

    There Are Things Users Don’t Need to Know

    On the basis that telling users anything about internal site operations is always a terrible idea, a couple of decades of history show that announcements like this one aren’t intended to provide useful updates to pirates. More likely than not, this is a message intended for those who would prefer to see Zoro.to consigned to history and already had a plan in place for that to happen.

    Whether the cosmetic changes on display here will make much difference to the future of Aniwatch.to will remain to be seen, but it’s certainly possible that this move hasn’t been at the serious planning stage for very long. Activity on the new domain dates back around three months but development work related to the new domain/site that wasn’t secured from public view only dates back around 72 hours.

    Tip of the Iceberg

    The final factor worth mentioning is the large number of sites in operation today that look very much like zoro/aniwatch and have broadly the same functionality. These operate from separate domains but as a sample of just four shows, originality appears to be a problem.

    The reason that so many of these similar-looking sites exist is pretty straightforward. The days of having to make your own site and obtain content from somewhere are well and truly gone.

    Today it’s simply a case of buying a template, installing the script on a server, and waiting for thousands of movies to be pumped through as part of the package.

    Of course, it’s not ideal for lots of sites to rely on a third party to supply all of the content; if that entity bites the dust, it’s game over.

    But while it was game over for Zoro.to this morning, the appearance of Aniwatch.to shows that when a situation requires creativity, solutions are never too far away. That also applies to advertising; Zoro reportedly didn’t have too many ads but complaints about the rebranded platform are already coming in.

    From: TF , for the latest news on copyright battles, piracy and more.