The Palme d’Or winner takes aim at the fashion world as models have a disastrous time on a luxury yacht, while Anne Hathaway falls for a boyband star in a swoony, steamy romance

Swedish film-maker Ruben Östlund has seemingly made it his life’s work to satirise the bourgeoisie – from the nuclear family in meltdown in Force Majeure to the pretentious art-world crowd of The Square . In this out-there comedy , he takes aim at the fashion industry via two models, Carl (Harris Dickinson) and Yaya (Charlbi Dean). Vain, petty and insecure, the couple go on an Insta-worthy trip on a luxury yacht alongside a group of super-rich types. But they find themselves all at sea – in more ways than one – after a disastrous storm flips the power dynamic between the guests and the put-upon staff. Come for the extended vomiting scene, stay for the class war.
Saturday 27 April, Netflix

Jeff Daniels is a boorish Trumpian type in a sharp new satire of American life, while Sean Bean and Arthur Hughes lead a monastery murder mystery

Charlie Croker is a boorish property developer who trusts his charisma and deal-making smarts will carry him through any crisis. Based on Tom Wolfe’s 1998 novel of the same name, the drama stars Croker (Jeff Daniels) as a more nuanced figure than the book’s Trumpian character. As his business falls apart and former allies turn against him, viewers might feel their sympathies split – the forces facing Croker feel just as absurd and malign as the man himself. The adaptation (which also stars Diane Lane and William Jackson Harper) doesn’t quite manage the state-of-the-nation heft of the novel. But it’s still a nicely satirical study of American hubris.
Netflix, from Thursday 2 May

There’s a harrowing report about the collapse of the healthcare system in the troubled country. Plus, the final episode of Beyond Paradise. Here’s what to watch this evening

There’s plenty of great stuff in this documentary to keep super fans happy – but you only need to know 80s banger Livin’ on a Prayer to get emotional as the ageing band break down before your very eyes

Every pop biography has the same dilemma: fans of the artist want to know all the details, while viewers with only a passing interest just want to get to the good stuff. You can tell which side of the line Thank You, Goodnight: The Bon Jovi Story falls on by looking at the running time. Its four episodes are all well over an hour long.

By far the strongest instalment is the opener, which can be watched in isolation as an evocative charge through the period leading up to the band’s formation and breakthrough. The best rockumentaries have the power to pitch us into a past moment we wish we could hang out in – the place and time here that crackles with fantastic potential is New Jersey in the back half of the 1970s.

Budget ice baths, graveyard sleepovers and a night of slam poetry in Norwich! Joe Wilkinson and Katherine Ryan are super fun as they hunt for adventures that don’t break the bank

Channel 4 has carved out a particular niche in daytime-shaped TV shows airing at night. This largely means that an afternoon-ish format, of the sort that would usually be broken up with ads for life insurance, animal charities and conservatories, now comes with the added frisson of knowing that a well-known comedian might say a bad word – see, for example, Eight Out of 10 Cats Does Countdown. Here we are, then, in familiar territory, with Joe and Katherine’s Bargain Holidays, a strangely late-afternoon-meets-late-night travelogue from comedians Joe Wilkinson and Katherine Ryan, about how to enjoy a holiday on the cheap.

It was filmed in the summer of 2022 – that must be why England looks so green and pleasant, rather than soaked to the skin with six months’ worth of relentless rain – and bears the hallmarks of peak inflation, as it searches for the best means of getting away without breaking the bank. Wilkinson is the bargain-hunter here, while Ryan leans into her luxury-loving persona. Throughout her career, Ryan has always been refreshingly open about money, and here she continues to be frank, as she shrugs off any notion of embarrassment about splashing out on nice stuff. She’ll spend £500 on a spa day, she says, and £300 on dinner, or more, if she gets the train from London to Paris and back, just for a romantic meal with her husband. “I just don’t want to compromise on my lifestyle,” she says. “Shall we compromise for a bit?” asks Wilkinson. “No,” she replies.

From Miriam being ‘revealed’ as a transgender woman to the contestants trashing the set, it was the cruellest reality show ever. Ahead of a new series about its tragic fallout, Miriam’s brother and friend open up for the first time about her death

It was the very definition of “different times”. In summer 2003, a TV dating series saw men compete for the affections of a 21-year-old Mexican model named Miriam Rivera. What her suitors didn’t realise was that the glamorous star of the show had a secret. In the climactic episode, Rivera announced that she was a transgender woman. All hell broke loose. Contestants sued the show in an attempt to ensure it never aired.

There’s Something About Miriam would go down in the showbiz hall of shame as one of the most controversial reality shows ever. Now, a Channel 4 docuseries revisits the making of the show 20 years since it aired – and five years since Rivera died at the age of 38. It’s a story of belief-beggaring insensitivity and its tragic aftermath.

These stunning, extremely relatable women, with nuanced facial expressions and sensible shoes, helped me outline success on my own terms

I love watching television – ideally in bed with a bowl of salt and vinegar potato chips and a bottle of Coke, zoning out for hours.

I’ve always been like this. In my teens and 20s I watched back-to-back-to-back Law & Order and Law & Order SVU episodes. I loved the comfort and reliability of the form: the drama of a murder, investigation, plot twist and resolution, all in under 60 minutes. But several years ago, I stopped watching Law & Order ; I grew uncomfortable with its uncritical portrayal of the police .

TV journalist Scott Bryan looks back at the making of I Wanna Marry “Harry” – and the dubious ethics behind the show. Plus: five of the best podcasts hosted by pop stars

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The wild, format-pushing and often skin-crawling world of early 00s reality television has made for some brilliant retrospective podcast series in recent times.

There’s Something About Miriam was one of the most shocking examples, with its “six guys date the woman of their dreams and discover she is transgender” brief. Wondery’s gripping Harsh Reality revisited the murky series after its star Miriam Rivera was found dead a decade after filming.

The latest Neil Gaiman story about two ghosts on the run has spells, shenanigans and supernatural horrors galore. It’s impossible not to be entertained by such escapist adventures

Given the amount of exposition clunked out, the first episode of Dead Boy Detectives sure is confusing. But I think I have it worked out. There are two boys – best friends Charles (Jayden Revri) and Edwin (George Rexstrew). They are both dead – lippy Charles carked it in the 1980s, stiffly Edwardian Edwin in 1916. Somehow they are both still on Earth (though we learn that Edwin spent some time in hell before escaping) and are using their time to find souls trapped less happily here and release them. The first we meet is a maddened first world war soldier in a cursed gas mask they must slice off before Death (Kirby, formerly known as Kirby Howell-Baptiste). They always have to hide from Death lest she collect them too. They are actually dead boy detectives on the lam. Fortunately, they can jump into mirrors to escape and to travel. Charles also has a backpack that holds an infinite number of items, which is such a cheat by the creators that you can only applaud wildly. What else do you need to know? Oh, they can be hurt by iron. Iron’s a thing for them.

So now, on with the show! Which is aimed at a young audience, who should love it. It whips along and, after the confusing start, finds a clairvoyant and a groove that work brilliantly. The clairvoyant, Crystal Palace (Kassius Nelson, with screen presence to burn) joins the pair after they release her from a demonic possession. She can’t remember a thing about herself but has a psychic vision that tells her where a missing child is being held, surrounded by black magic and supernatural horrors.