We're shown this scene for a few reasons, but I think one of them is to emphasize that the Forsaken were all sealed away in individual prisons, which take the form of giant disks of unbreakable Cuendillar . This is definitely a different tack than the books, but it definitely simplifies things. I did find it a little weird that Ishamael had all six of the remaining seals propped up in his room, like he was hanging out with them or something—but I guess "weird" doesn't really apply when we're talking about the behavior of millennia-dead superhuman wizard people.

Right, so, this episode brings us to kind of the fruition of Lanfear's plan, to the detriment of poor Ishamael. Ishy has—had!—a formal plan to bind the Dragon and his ta'veren friends. It involved moving them around on the chessboard of Randland, manipulating them into falling into the shadow, and then getting Rand to choose darkness to save them. (This also puts some more context around Mat's tea-driven vision quest last episode.)

Lanfear gives no effs. Lanfear's like a honey badger, and Lews Therin Telamon is the honey. She cares about Ishamael's plan only inasmuch as it gives her the opportunity to force Rand to proclaim himself, embrace his destiny, recall his past lives, fall back in love with her, and live evilly ever after. Anything else can burn.

You'd mentioned previously that the Forsaken often work at cross-purposes, and hoo boy, were they ever here. Classic Lanfear.

Everyone else is running around in Falme, and the Whitecloaks show up and kick off the giant battle. Geofram Bornhald (Stuart Graham) isn't necessarily a bad fellow—as he points out, the Children of the Light are in Falme to save people from the Seanchan invaders, and they proceed along that track with alacrity. But Bornhald is the classic Paladin archetype—he and his Children are incapable of bending the rules. See evil, must kill. And "evil" is whatever they say it is.

Aviendha, Bain, and Chiad roll up with Perrin and Hopper in tow, so they get added into the mix of battle. After that, we variously get a bunch of happy (if rushed) reunions between our prime characters, some of whom haven't seen each other in months. The episode is an absolute symphony of reunions, all over the place.

One of those reunions is Mat and village peddler/ultra-darkfriend Padan Fain—and, hey, there's the Shadar Logoth dagger! I don't think Mat is aware that Fain is a darkfriend at first, but him showing up and producing the dagger probably goes a long way to getting that message across.

And then, Mat makes a…well, it's not exactly an ashandarei , but it is kind of a, like, knifey-stick. And it cuts through things like a lightsaber! Does he keep it? Does he trade it in? … is it time to talk about Mat? There's so much Mat to talk about.

Though before I go on about Mat, I want to gush just a moment about seeing Guy Roberts back as Uno, who apparently kicked so much ass in life that upon death he was instantly upgraded to Hero of the Horn. Given that Guy Roberts is a self-professed fan who first read the series in the ‘90s , it gave me a lot of joy to see him get to inhabit the role of Uno with such obvious scene-stealing relish, and to know that he's living the actor's dream of bringing to life a character that he loves.

Artur Hawkwing (Adrian Bouchet) delivers some lines to Mat that he originally delivered to Rand in the book, which—well, I suppose it's all part of the new path the showrunners have put Mat on. The destination is getting a little clearer, but I'm still wondering if he's going to keep his knifey-stick, or if it's going to get upgraded at one point—after all, fully separating him from the dagger and its influence is a major deal in the first few books, and keeping it will have consequences.

We have our first on-screen utterance of Mat's "it's time to toss the dice" in the Old Tongue, and it's great. Show-Mat deserves it. After two seasons of grim purposelessness, he's finally given something good—and it's so good .

The Sounding of the Horn leaves book readers with more questions about Mat than answers—but my guess is these are questions that will be tackled in the front half of the next season. For non-readers, leading the charge of the Heroes of the Horn is a wonderful bow to tie around his two-season journey through crap. Hell, if I have a complaint about Mat's sounding of the Horn, it's that budget and cost of production necessarily limits what should be a Helms Deep-scale routing of the bad guys by a horde of legendary warriors whose deeds have elevated them to immortal demigod status.

Whew, okay. Any more Mat feelings from you?

Definitely agree with Elayne being underutilized—though as you say, healing Rand was a nice way to facilitate an introduction. The only problem is that Elayne is crap at healing. Don't expect her patch job to hold very long or very well. Moiraine will likely have harsh words for her later.

Okay, so—I greatly enjoyed almost everything about this episode, but there were two major book events we didn't get. The first was the blademaster fight with High Lord Turak, which in the books is used to shove Rand further along the path of getting used to channeling and embracing the One Power. However, given the Raiders of the Lost Ark fashion in which Rand sidesteps the fight, I just can't be mad. I literally laughed out loud.

But the other thing we're missing is much harder to overlook: the oft-teased proclamation of the Dragon in the sky above Falme. In the books, this is a giant epic flaming sword fight between Ishamael and Rand, projected like a Pink Floyd laser light show onto the clouds above Falme. In the show, Moiraine does a Final Fantasy VII -style summoning and calls up a large fiery dragon, which curls around the tower and makes some dragon noises and disappears.

I'm disappointed. It's fine, I guess, but it's not what I was hoping for.

Oh, and speaking of people to keep an eye on—book readers know this, but non-readers may not: shortly before Mat sounds the Horn, during the little reunion on the streets of Falme between our main characters, Perrin makes it a point to give a quick hug to the other Shienaran present—a gentleman he calls Masema (Arnas Fedaravicius). We then see Masema again near the end, staring at the Dragon atop the tower.

Remember Masema. He was introduced at the end of season one, and this will not be the last time we see him.

Alright, we're down to the last little bits here. Season two ends with Lanfear encountering Moghedien, spinner of webs and plots. She seems… creepy.

Out of the original book list, there are eight remaining Forsaken that have yet to appear or be mentioned in the show. If "the boys" can be taken to mean that all the remaining unnamed Forsaken are male, we can drop the two remaining Forsaken who are female. That leaves us with six candidates for our last three spots: Aginor, Asmodean, Balthamel, Be'lal, Demandred, and Rahvin.

We can dump Aginor and Balthamel immediately, as they were killed in the book version of The Eye of the World and didn't appear in the show. I'd also propose we can drop Demandred, given what he's doing in the books and how it works out—I think the show is going to nix his entire plot.

And that neatly leaves us with three dudes left, and my picks for the remaining Forsaken: Rahvin, Asmodean, and Be'lal. And out of those three, my guess is that we meet Asmodean first, in a manner similar to how he shows up in the books.

What do you think?

And so, dear readers, we arrive at the end of our time together—but fear not, because we'll be back here doing this again for season three . Will Perrin come to terms with the wolves? Will Egwene be able to deal with her trauma? Will Mat avoid accidentally poking anyone with his evil toxic dagger-on-a-stick? Will Nynaeve ever figure out how the hell to channel properly? And what will the fallout be of the Dragon Reborn's public proclamation at Falme? How will Randland react, knowing that the Dragon is foretold to save the world—but also to break it anew?

We know the book answers to these questions, but folks, we are heading into uncharted territory with our Two Rivers TV show crew and their rapidly expanding list of friends. Unexpected things no doubt await us in season three.

Any final thoughts, Andrew?

But before we get to any of that, we have to talk about the opening for at least just a moment. Last season, we got to see Rand's birth on the slopes of Dragonmount as the Aiel War stumbled to a close, but now we're given a peek into the other important event that happened at the same time: the Aes Sedai Gitara Moroso (Hayley Mills) and her “Foretelling.”

Foretelling is apparently a rare talent that does not show up in Aes Sedai very often, and Gitara Sedai was apparently one of the strongest at it—or at least one of the most accurate. Proving that prophecy often comes at the most inconvenient of times, we're shown a flashback where a much younger Moiraine and Siuan enter Gitara's rooms in the White Tower, and Gitara almost immediately collapses under the weight of her vision of the Dragon's return to the world. The Aes Sedai seems to feel what Rand's mother is feeling during her battle, and we're led to believe that both Gitara Sedai and Rand's mother expire at the same time.

We know from the books that this is the moment that kick-starts Moiraine's and Siuan's secret-squirrel club—the reason why they're actively hunting the Dragon Reborn. The inconvenient bit, of course, is that no one else was there—no one else witnessed Gitara's Foretelling. Would certainly have been nicer if she'd collapsed in the middle of the Hall of the Tower with more witnesses, but so goes history, I guess.

Which I think is kind of doing the supposedly legendary status of the Forsaken no favors. Near the end of the episode, when Lanfear walks into the courtyard with Moiraine and Siuan and friends, no one freaks out at an actual living non-bound member of the Forsaken strolling into the courtyard—Moiraine is just like, “Oh damn, it's Lanfear.” My impression is that Lanfear walking up into your meeting, even if you're a supposedly all-powerful Aes Sedai, would be like actual-for-real Jason Voorhees unexpectedly shambling through the door to your house. The correct reaction is some kind of mix of “Oh my God wait Jason is real?!” and Scooby Doo-style cartoon panic-running in multiple directions simultaneously. Possibly with some pants-wetting tossed into the mix for good measure.

I also kind of want to talk about whatever the hell it is that Ishy was doing with Mat. I was kind of left feeling clueless by the scene with the tea, but my wife has kind of a theory.

My wife's quick-n-dirty theory is that the tea was just a sleeping brew, and that the sequence was actually Ishamael screwing with Mat in the World of Dreams. I'd class that as a definite “maybe”—the thing that keeps me from fully agreeing with it is I just don't see what the scene is for , whether it's Magic Spirit Journey Tea or just plain sleeping tea and the Magic Spirit Journey is in Tel'Aran'Rhiod.

Okay, I've got like… paragraphs to drop in here about Moiraine, but only if you're ready to turn to her, and to the resolution of one of this season's biggest mysteries.

It's been kind of a mystery why Moiraine herself hasn't done some more extensive troubleshooting to find the extent of her issue. When a certain set of characters (to remain nameless, to spare non-book readers) eventually figures out how to remove the Aes Sedai Three Oaths in a future book, one of the VERY FIRST things those temporarily-oathless characters do is start lying and giggling—because, let's face it, being able to say “THE SKY IS GREEN!” for the first time in years is probably pretty exhilarating. Why wouldn't Moiraine have simply started busting out with the lies, if for nothing else than to test whether or not she's TRULY stilled?

There are two answers that I can think of. The first is the more in-universe one: few Aes Sedai have ever bothered studying the effects of being stilled. Stilling is simply too viscerally horrifying to confront, even for the knowledge-minded Browns. Stilled women tend to leave the White Tower so as not to be surrounded by reminders of their past and are thought to quickly die (as Lan makes evident when he asks Moiraine if she thought about ending her own life in the past few months). There are simply no records of what happens, other than that the women who DO survive the process tend to do so by thoroughly occupying themselves with important tasks that take the place of the One Power in their lives. Moiraine might simply have not known that stilling unbinds the Oaths, and having lived her life by them for decades, kept up the habits of living by them purely because she doesn't know any other way to be.

(Though, I guess the REAL answer is even more obvious: "Son, the reason the good cowboys don't just shoot the bad cowboys' horses is that if they did, there'd be no movie.")

And why did they do it? So that Logain can teach Rand a few things, which has happened, and also so that Logain can do exactly what he did and tell someone that he sees Moiraine surrounded by weaves. That particular Chekov's gun has now been fired.

Why couldn't Rand see the weaves around Moiraine earlier? Horses, movie, etc, I suppose. It's not how I would have done it, at least.

But! On the positive side of things, we actually get a scene that I think every single reader has been waiting for—Lan gives Rand a crash course on how to appear confident before the Amyrlin, and Rand then takes that knowledge and makes a good showing in front of Siuan.

It's a big moment in the show, since it's the first real indication that the Seanchan are actually vulnerable in any meaningful way—their weapons can be used against them! But we lack the extra context—so far, at least—that the books are able to provide when the event happens. After all, an a'dam only works as a leash on a woman who can channel. So why does it work on a sul'dam?

Needless to say, there are potential implications for, oh, the entirety of Seanchan society—implications we'll likely learn more about next week during the finale. (And if not, look to season three!)

The last bit I'd love to talk about is Perrin and Aviendha, who are also converging on Falme with fan-favorites Bain and Chiad in tow. I was a little confused about the geography—for a minute, it looked like the scene was starting off in the Aiel Waste (as evidenced by the Vince Gilligan-esque yellow color grading), but apparently there's a desert surrounding Toman Head and Falme?

There are a few things unsettled, though—what about that Horn of Valere? The thing that all those hunters have been getting branded for in earlier episodes? And—and lots of other things I can't really articulate because of potential spoilers!

Egwene spends the episode trapped in a cell—in "the kennels," as they're called—learning about all the quirks and features of the Seanchan a'dam. It would be fascinating if it weren't so gruesome and awful. The a'dam's creator (an Aes Sedai, though we hear much more about her in the books) seems to have put considerable effort into thinking of all the potential ways a damane might fight back and then programmed around them. The a'dam can't be removed by the damane. The damane cannot touch the wristband control leash, even if it's not being held by anyone. The device even prevents the damane from touching other objects that the damane perceives to be weapons—which is just downright insidious, because it turns new damane into active participants in their own breaking. Egwene cannot even pick up a water pitcher to drink, because she can't stop thinking about smashing the sul'dam's head with it. She only gets to drink water after she has convinced herself that she won't attack the Seanchan.

It's rough. It's really rough. In between the put on the glasses pour the water scenes, we get to see Egwene convulsing repeatedly as she fights with the a’dam—so much so that she ruptures blood vessels in both eyes. And this takes up about half the episode.

As you point out, though, this is an absolute cornerstone of Egwene's character. It's the honing that will shape her into—well, into what she eventually becomes. (It's not a spoiler, I don't think, to say that the POV characters of an epic fantasy series all have Important Destinies laid on them, and Egwene wouldn't be able to inhabit the role—roles, even—she ends up having to inhabit without this shaping.)

I want to spend a moment on Rand and Logain, too—if for nothing else than to call out the first on-screen image of someone playing "stones," the in-universe name for what we'd recognize as Go . Stones is a game played in Randland by intellectuals and generals, and it's a given that if you see a character playing stones, that character is supposed to be super smart and brilliant and possibly an authorial self-insert. ("Take a shot every time someone is playing stones" is almost as popular a casual WoT drinking game as "Take a shot every time Nynaeve tugs her braid" or—my personal favorite—"Take a shot every time someone says something about the Dark One's taint.")

Logain is once again brought in to teach Rand—but really, to teach us —how channeling works for men. (I hope we still get you-know-who teaching Rand later, but Logain is definitely stepping into that other fellow's shoes here.) In a nice little compact scene, the false Dragon manages to teach the true Dragon three important facts about the One Power: women "surrender" to saidar, but men "seize" saidin; if you take too much in, you'll burn yourself out; and that Rand is incredibly powerful, capable of doing "anything" and fighting "anyone."

Upon releasing the source, Rand then learns a bonus #4 fact: the Dark One's corruption suffuses saidin. The book makes it sound like channeling the corrupted male half of the power is sort of like railing ultra-heroin while simultaneously chugging down raw sewage, and when Rand releases the source, he also releases his lunch. Ew.

Yeah, I agree that parts of the season feel kind of interminable, in spite of how bloody short it is. I too could have done with maybe a bit less Moiraine-arguing-with-her-sister and also a bit less of whatever the hell it is Lan has been doing with Alanna and the Funky Bunch, but I've been pretty happy with the World of Dreams bits.

Speaking of: I want to ask a question that my wife and I both feel pretty unified on, and I'll give you my answer after I hear yours, but: when Lanfear banished Ishamael from Rand's dreams, was she really banishing him? Because it seems much more Lanfear-like for that entire bit to have simply been Lanfear conjuring and then de-conjuring an imaginary Dream Ishy. It seems like the kind of thing she'd do.

One way or another, though, Rand just can't catch a break. He finds Mat again, but rather than leaving town with Rand to escape, he chooses to heed Min's warning and stay away. Rand then decides to depart Cairhien on his own but gets stopped by Lan and Alanna. What are they going to do with him?

Our answer lies in the arrival of the Amyrlin Seat and fourteen other Aes Sedai (including several familiar faces, like Liandrin and Verin). A similar situation plays out in the novel—Rand delays leaving Shienar for too long and gets stuck having to talk to the Amyrlin, recently arrived in the Borderlands with her retinue. Here, it looks like Rand delayed leaving Cairhien for too long and is stuck having to do the exact same thing. The Amyrlin and Moraine are old schemers when it comes to the subject of the Dragon Reborn, so the plots are all twisting back together. (As they should, since next week is the season's penultimate episode.)

Your description of playing Tetris with the plots is also spot on—that feels exactly like what's happening. I like some of it, and I don't like some of it, but I don't think I'd be able to do any better as a writer if faced with the same length and episode count constraints as the show is having to operate under. If there is a villain here, it's not really the Seanchan, or the Forsaken, or even the Dark One himself—it's whatever bean counters in the programming department decided on those constraints. (There is an obvious "a'dam around the neck of the show" metaphor that I could draw here, but I won't. Though I guess I just did.) Regardless, we're reviewing the show we've been given to work with, rather than the longer show we perhaps wish we had.

I have one additional note from my wife that I need to read into the record: "Ingtar has better smoky eye than Lanfear and Egwene's sul'dam put together." No argument from me there.

Anything else from your notebook, Andrew, or have we reached the end for this week?

We'll see you back here next Friday. Until then, may you all find water and shade.

We open on the Seanchan doing what they do—making imperious statements and talking about conquering things. And, hey, for anyone wondering when the Horn of Valere was actually going to turn up on screen, here it is, hand-delivered by Padan Fain (with the requisite bit of whistling). I liked the scene, I like the Seanchan in the show, and I thought it was a solid opening. It was also kind of fun to see Shienaran Lord Ingtar (Gregg Chilingirian) in eyeshadow and da'covale robes, which are nowhere near as sheer on-screen as they are in the books.

The invaders from across the sea have their own look, their own accents, and their own theme music (which as near as I can tell includes a choir singing "DA-MA-NE!" over and over again). They're not just creepy and formidable—they're almost alien , which I suppose is the intention. How are they working for you so far?

• 

  Here is the place where the Seanchan meeting happened in the opening scene of episode five... [credit: Amazon Studios ]

Given that both Game of Thrones and Wheel of Time shot in Morocco, some location reuse was probably inevitable, but this one is particularly on the nose. Still, whether it was intended to be overtly obvious or not, I dig it. It definitely works, and also, now we know that Falme looks like Morocco!

OK, so—you're absolutely right that the show has drop-kicked the plot way ahead with the way events are landing. There are several specific things I want to talk about, and the first one is the Forsaken. We're given more of a window into who and what they are in this episode—along with the understanding that alliances between different members of the Forsaken are somewhat, shall we say, ephemeral. But the thing that jumped out most was the mention by Lanfear about the rest of the Forsaken—and how many there may or may not be.

Specifically, she mentions Moghedien, Graendal, and "the boys," and paints them all as incompetent. I can't remember if season one gave us the details on exactly how many of the Forsaken there are, but the show might have just told us that there are only six or seven—obviously less than the 13 named in the books. And if that is indeed what's happening, I don't necessarily think this is a bad thing, given how much of the series is taken up by Rand chasing after and collecting all the different Forsaken like Pokemon.

And among all the Forsaken, Lanfear was supposed to be the most skilled within the World of Dreams (something that some of the other Forsaken take issue with, if I remember right). She shows off a bit of that skill in her cheeky meeting with Ishamael, and we see perhaps a bit more when she zaps Rand into her own little desert BDSM fantasy at the very end. Remember, Rand: there is no safe-word in the World of Dreams .

"Pineapple! Uh, banana! Orange! Peach! ....you're not letting me out of this, are you?" (credit: HBO)

We'll no doubt be spending a lot of time there, given how central Tel'aran'rhiod is to—well, to several characters (no spoilers from us about that yet—that'll likely be a season three or four thing), and it's great to know that it's not being cut. I have some hope that Asmodean also makes it, though as you say, he may not be necessary. We shall hopefully know more soon!

Changing tack slightly, there are two things I wanted to bring up about Randlandian politics again, and I promise not to spend too much time here. First, interestingly, we learn a bit more about Cairhien—it does in fact have a queen, named Galldrian, and Moiraine's nephew Barthanes Damodred is marrying her. This plus Moiraine's decision to delay draws a pretty straight line for Rand to get involved in the shuffle for the Cairhienin throne. Book readers might be scratching their heads at this particular set of choices, given that in the books Galldrian was a king who is dead before the series starts and Barthanes is—well, Barthanes is and does some spoiler-y things. I am hoping that they keep his most spoiler-y aspects intact.

This is what happens, Laman.

All right, Aiel time, because in an episode filled with important stuff, Perrin meeting Aviendha is one of the most important. We're re-using the whole "Aiel in a cage" bit that we only obliquely got to in season one, and we're mixing together a few different book bits, but the encounter came off satisfying to me. Aviendha dons a black veil and invites Perrin dancing—something she obviously excels at, being a Maiden of the Spear. Without revealing yet to show-watchers why she's important (you'll all find out soon enough!), it's nice to have one of the last of our main characters slotting into place.

Though I'd feel better if Thom Merrilin would show back up. His single appearance in season one was absolutely arresting. Perhaps we'll find him somewhere in Cairhien with Rand.

Which, speaking of—Elayne got a chance to basically do just that when she and Nynaeve ended up in Falme, after escaping from Liandrin and the Seanchan. I thought the Liandrin bits here were great, and I continue to love that they're actually allowing her character to be something other than just, like, vaguely misandrist and evil. Now she's got angst , and everybody knows that angst is the emotional equivalent of MSG—it makes everything more interesting.

The linked nature of the sul'dam ("leash holder" in the Old Tongue) and their damane is neatly demonstrated with the simultaneous call/response thing they do when channeling. My recollection is that the things utilize kind of a twisted version of the Aes Sedai/Warder bond to—well, to do all kinds of things , as poor Egwene is about to find out.

And, then, to finish up with our wayward White Tower trainees for the week, Nynaeve and Elayne escape into the city of Falme, seeking sanctuary in a place where there's not much to be had. And are they safe with the Aes Sedai and Warder who snatch them up? Ishy had a very peculiar response when Lanfear asked him about "the girls"—he notes that he has "just collected" them, and that "one craves power and the other fears it."

Mentioning two instead of three—or one—is odd. Does that mean that he's just collected Nynaeve and Elayne in Falme and that the Aes Sedai sitting on them is Black Ajah? Or am I misinterpreting?

Courage to strengthen, fire to blind, spoilers to dazzle, iron to bind. We'll catch you all next week!

The IRL book readers I've talked to have all brought up the substantial-and-growing deviations the show is making from the books, but I don't know anyone who's angry about it. I know this is difficult ground to tread, and everyone's going to have very strong feelings here, but at least for me, I believe that you're taking the right tack. I think we can call it objectively fun and enjoyable—at least as much as anything can be said to objectively contain those qualities. I'm rolling with the idea that this is a different turning of the Wheel.

Speaking of fun and enjoyable: crazily enough, even though things just started, at the close of this episode we are at the halfway point of the eight-episode season. I definitely want to get to those specifics you mentioned, but I feel like it's worth bringing up again just how much that episode count must be contributing to the narrative re-swizzling. Do you think there's any chance that future seasons will be, ya know, an episode or two longer?

And wait—I had one more overall big thing I wanted to bring up. It's a very Jordan-esque thing. I want, just for a moment, to talk about the politics of Randland.

(For non-book readers, the continent on which The Wheel of Time takes place is never really given a specific name. We know a bit about Shara, the mysterious lands to the east past the Aiel Waste; and we know a bit about Seanchan, the name of the continent to the west where the current set of insect-helmed invaders are coming from; but we never really learn if the densely-populated mess of city-states and countries where the majority of WoT happens has its own name. Book readers over the years came to simply refer to the home continent as "Randland," and I'm going to follow that convention.)

When Moiraine is visiting her sister Anvaere Damodred (Lindsay Duncan), we learn from the dialogue that Anvaere's son is marrying "the Queen"—which made me pause. In the books, Cairhien has no queen—Cairhien is currently bereft of a ruler. And the last ruler Cairhien did have was a king, still smarting from the fallout around Cairhien's starring role in the Aiel War. So who is Moiraine's sister's kid marrying? Are we talking about the Queen of Andor —Elayne's mom?

Mat and Min were excellent in their brief bit of screen time in this episode, but yes—that scene existed to give us Min confronting Ishamael. We get to watch her dawning horror as she realizes that she hadn't fully understood the shape of the deal she was signing up for—yes, she wants to get rid of her visions, but nobody said anything about bargaining with the strongest and most dreaded member of the Forsaken.

Still, I get the impression she's going to continue along the path Ishamael wants her on, and that she'll bring Mat to Cairhien. Considering Ishy reached directly into her dreams and met with her that way, it's not like running would do any good.

All right, we've danced around it long enough. Let's tackle one of the big ones: Moiraine and Lan. I honestly cannot tell what the show wants us to think about their connection at this point. I think Moiraine is shielded, not severed, but I don't know if we're supposed to believe that Lan's bond has been severed, or if it's still there but masked. I know how the books go, of course, but we're way off script with how this is being presented and that knowledge may not apply. The dialog between Alanna's blonde warder Maksim (Taylor Napier) and Lan is annoyingly ambiguous. What do you think is actually going on?

Definitely agree on the changed Moiraine/Lan dynamic. It also bugged me a bit that Lan seemed so flummoxed about Moiraine not thinking of him as an equal. Book-Lan seems to be very much cognizant of his role in their relationship, and I feel like Book-Lan's kingship and diverted destiny is brought up a lot more on the page than it has been on the screen (take a shot every time the phrase "Diademed Battle-Lord of the Malkieri" floats out of Jordan's word processor and assaults your eyes and you'll die of alcohol poisoning), and that even the older, darker, wiser, and prouder Lan of the books has made peace with the idea that he will never be more than a tool for Moiraine. (A favorite tool, and one not to be ill-used, but a tool nonetheless.)

The show is dangling the plot thread of "Where will Lan end up?!" in front of us—will he be bonded to Alanna as her third, or will Nynaeve end up snagging him? This same question plays out in the books in a very different place and in a very different way—though if you kind of squint, I think the fog shrouding the path that the showrunners are laying for us is beginning to clear a bit. And, like in the books, it's possible the resolution is tied in with Selene.

So, let's talk about the Daughter of the Night, shall we?

I get it, though. Rand is supposed to be, what, 20-ish here? (I know we've gone over this before and the show has aged everyone up over the books, but I can't recall by how much.) He's just a kid. Kids make poor decisions. Kids dealing with traumatic stress and literally having the corrupting influence of the Dark One flow through you when you channel can perhaps be forgiven for latching on to someone showing them affection.

Still, Moiraine showed up and kicked the anthill nicely, by planting a sword directly in Lanfear's torso and then slitting her throat. Which you think would do the job, but apparently not, since Lanfear is clearly still alive after. And there was something else, too—something I didn't notice on my first watch, because the screeners have a pretty low bitrate, but I caught the second time around. Something about Lanfear's eyes. Something… spotty . Did you catch it?

I find myself hoping that we get back to Falme and see the Seanchan some more—they play a significant role in the rest of the story, and I'm looking forward to learning more about how the show presents the characters. Episode 4 was the last in our current chunk of screeners, though, so at least until Amazon gives us some more, we're just as much in the dark about what's next as the rest of y'all.

That wraps it for now, folks. Life is a dream from which we all must wake, but we wish you a peaceful slumber until next week!

Like, there is a LOT going on here that isn't in the books, and honestly, I'm here for it.

For book readers, Rand's fate might be most jarring: his friends all think he's dead, and he seems to have moved in with a girlfriend in Cairhien's Foregate (sort of a shantytown built outside the gates of Cairhien) and gotten himself a job in the local sanitarium, caring for madmen. It seems odd at first, but Rand isn't just attempting some charity service—he knows that as a man who can touch the True Source and channel the One Power, he's cursed to inevitably go as mad as the people he's taking care of.

We find out by the third episode what Rand's goal truly is, because this is not just any sanitarium—it's a sanitarium that houses Logain Ablar, former self-proclaimed Dragon Reborn and now a trembling shell of a man suffering from being cut off from the Power. Rand wants Logain to tell him how to get himself out of this channeling mess—how to avoid going mad. Logain, of course, has some bad news for Rand on that front: he tells Rand that he won't be able to stop channeling, and he won't be able to avoid madness. Sucks for Rand.

(I also really do appreciate that there are finally characters on screen saying "Cairhien" out loud. I've been struggling with that city's name since 1997.)

In the look-and-feel department, season two feels vastly improved. (I'm sure relaxed COVID restrictions on production played a huge role!) I'd complained multiple times last season about the show's odd composition, the flat "digital" feel to the shots, the styrofoam sets, and the camera that refused to hold still no matter what the scene; this time around, none of those things are jumping out at me at all. The lighting feels organic and natural. The cinematography feels much more like proper prestige TV (which is to say, it looks like a movie). I don't know if the problem was me or the production, but whatever it was, it's fine now!

And I wanted to also make sure to call out the music—though, again, I'm not sure if it's the production or just me. It feels like there's a more unified musical "language" being employed in season two. The palette with which the music is painted feels much more focused and consistent. I feel like I'm beginning to know what the music in the show is going to feel like, much like how GoT or Westworld or other shows have their distinct musical language and colors.

I loved watching our Shienaran squad dance the blades with the Seanchan—in fact, heck, every single bit of swordplay we got in these first three episodes was excellent . (My wife's notes for this watch-through included the phrase, "UNO IS A STONE COLD BADASS," in all caps). Lan squaring off against the Fades was also excellent, and it shows just how far Rand has to go if he wants to actually be worthy of that heron-mark sword.

There was another really interesting bit my wife caught that I didn't: There's a moment in episode three where Egwene channels to stop another character from leaving the room, and Egwene does so without any of the crowd-pleasing gestures that the other Aes Sedai use. We know from the books that channeling has nothing to do with physical movements, but many channelers learn the motions with the weaves and can't do one without the other. She seems to have learned a valuable lesson from her time tied to a chair in Eamon Valda's tent.

I'll end my own side of this with the observation that so far, with these three episodes, it feels to me like the scenes the show does best are the wholly original ones. I wasn't super thrilled with how the gathering of evil (referred to by book readers as "the Darkfriend Social") played out, and the twist to Nynaeve's Accepted testing and how long that situation draws out compared to the books felt cheap and unnecessary. On the other hand, Min hanging out with Mat in their cells was fun—far more fun than the brief meeting between Min and Rand in the first season. Most of the other places where we've swerved from the text—especially Rand talking with Logain in the sanitarium—also felt solidly done. When the show is free to find its own way, it stops being so self-conscious and actually becomes enjoyable.

Maybe that's just the nature of adapted works. If so, I'm not a book purist—the show needs to stand on its own, just like any other adaptation. Changes are to be expected. It's a good thing.