(Polydor)
You could easily believe the prosaic Dizzy to be the work of AI: what if the Pet Shop Boys did Eurovision?
The UK has a weird relationship with
Eurovision
. We put forward focus-grouped no-hopers (whither “Joe and Jake”???) then get indignant when they inevitably lose. For years, although fans have suggested we follow the rest of Europe and put forward, you know,
an actual pop star
, that has never happened, for whatever reason – probably because the risk of losing is even higher and even more embarrassing for a known entity. Tap Management, which looks after the likes of Lana Del Rey, Ellie Goulding and formerly Dua Lipa, stepped in to run things in 2022 and steered the UK to No 2 with Sam Ryder – its highest position since 1998 – but stepped away after Mae Muller came second to bottom last year, putting the choice back in the hands of the BBC.
Step forward
Olly Alexander
, an extremely likable musician who sometimes seems to be on retainer at the Beeb, helming glitzy New Year’s Eve celebrations and the like. It feels as if there is more at stake for him here than just acing Eurovision: his entry, Dizzy, is his first song under his own name after ditching the
Years and Years
sobriquet. What was a band, on 2015’s lithe Communion and 2018’s more complex Palo Santo, became a de facto solo project after his bandmates left, and 2022’s Night Call failed to catch fire. He was excellent in Channel 4’s 2021 drama It’s a Sin, and heavily – incorrectly – rumoured to be the new Doctor Who, but hasn’t acted since. His music can seem caught between two impulses, with brilliantly heady queer aesthetics and intentions hamstrung by quite sanitised, crowdpleasing synth-pop: a bit CBBC Perfume Genius. There’s the sense that this era really needs to work.
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